Tag: futurecast

baldo = colectivo futurecast 009!

ninth installment of the colectivo futurecast with our close friend Baldo, half-owner of neovinyl recordings and resident of barcelona, spain. his overall feel-good and contagious personality permeates throughout this 60 minute mix that will surely induce a smile on your face while you tap your feet along to the beat.

5 minutes with…

BALDO (Neovinyl, Barcelona)

neovinyl | resident advisor | twitter: @neovinyl

* how and where was this mix recorded?

It was recorded at home using ableton live, since I currently don’t have any DJ equipment. It took me a few afternoons to complete between selecting the tracks & the actual mixing.

* having grown up in a small town in the south of spain, we are curious to know: what turned you towards music and DJing?

There’s something that most people don’t know about southern Spain… in the late 90s there was a surprisingly big breakbeat music scene… there were a lot of clubs in smaller towns and it suddenly became popular amongst my friends to DJ (it was either that or doing sports!). So they started buying vinyl and DJing in their homes, making parties for friends. On top of that I was always interested music and technology, so I started buying records as well, and began to introduce myself in the electronic music scene. Gradually, I started learning about making music, releasing on labels, etc…

* how was neovinyl born? you started off with a netlabel and have now transitioned to a digital label, how would you compare both experiences?

The idea grew out of creating a platform where people could listen to our own productions for free (Neovinyl is owned both by Baldo & best friend Carlo). If people were to download our first productions today, they would certainly feel the evolution we’ve experienced, that to us is something really beautiful. When we first started, the netlabel explosion hadn’t begun and we really had little idea of what we were supposed to be doing.

We can’t really say we’ve dropped the netlabel side of things altogether, we are simply running parallel projects with the netlabel (free) and the digital label. We are slowly releasing music on the netlabel for more experimental and personal projects these days, because there’s bigger room for risk taking. With the digital label, we’ve taken a step forward towards making our music known to a different crowd. All in all, both projects have provided us with amazing experiences and they’ve helped us mature as artists and introduced us to different people and artists.

* what do you normally listen to at home? which are your top three favorite albums ever?

I listen to a lot of different things. In fact very little of it is electronic. Lately I’ve been listening to Caribou, Grizzly Bear, Lindstrom & Toro y Moi. As far as favorite albums, it would take me forever to make a final decision, but there is one that comes to mind, which is Adore by Smashing Pumpkins.

If you’re on spotify you can check out two playlists that I like to keep current with new and old favorites:

dancefloor orientated favorites:

http://open.spotify.com/user/baldo_gallego/playlist/2xIxgRhyahOQV6iJ

and this one is more varied:

http://open.spotify.com/user/baldo_gallego/playlist/7ftVrvyStnh59SiRNpxjnE

* what is your favorite thing about barcelona?

The weather, friends who live here, regularly good club lineups & parties that last all night long!

* what can we expect from yourself and neovinyl in 2010?

I’ve just released a track (the perfumed kiss) on Microfreak with a remix by Daniel Kyo. Also in June, there will be two new remixes by myself coming out on Clock and on Redmo. This summer I’ll take a break from production under my own name and will focus on a new project called Plus One, which is formed by Miguel Colmenares and myself. We will finish some remixes and original tracks for release after summer.

Regarding Neovinyl, June 17th sees the release of an EP by Maik Yells with remixes by Tom Ellis and Carlo. Afterwards comes an EP by V.Rotz with remixes by Rene Breitbarth and Oren Bi. Then we have a series of release planned with artists who’ve already release with us like Echonomist, Miguel Colmenares, Ham N’ Cheese and Loops, as well as some new artists, such as Denite, Pete Lazonby and Hain Dutt. We are trying our best to keep our workflow steady!

baldo – colectivo futurecast 009 by colectivofuturo

janet davis aka k.atou = colectivo futurecast 008!

for our next installment of the colectivo futurecast mixtape series, k.atou aka janet davis, our main girl from athens, greece delivers a stunning one and a half hour long mixtape, collecting some of her favorite cuts to cruise to. you can normally find k.atou spinning choice house & techno cuts around the globe, but when her alter ego (janet davis) takes over, be prepared to expect the unexpected. if you’re looking for a selection to space out to, this is just what you need!

listen to & subscribe to the futurecast at colectivo futurecast

INFO & LINER NOTES by K.atou

“My alter ego Janet (Davis) made this mix as a collection of 1.5 hours of all the songs she likes to hear when she cruises on her car around the beach and sings along with open windows… most of the tracks, I have passed countless hours listening to on repeat. It’s the non-techno music I like to hear whenever I’m not in a club and ranges from classical, to shoe-gaze and ambient, indie, and soul. I have been as lazy as a mexican donkey for the longest time to record a mixtape for myself and be able to hear it from time to time, so it’s nice to finally make it happen on this occasion. This mix also includes a lot of influences and eternal music loves.”

01 Blues Brothers Intro (loved the movie so bad)
02 Auburn Lull – Season of False (got this album from a friend and always wondered how the season of false sounded like)
03 Art of Noise – Moments in Love (Caspa Remix)
04 The Bad Plus – Giant
05 John Adams – The Chairman Dances
06 Broken Social Scene – Capture The Flag
07 Fink – Trouble Is What You Are In (my friend Budolas showed me the amazing music of Fink.. this song makes u feel u are in love with nothing)
08 Grouper – I’m Dragging a Dead Deer Up a Hill (it simply has a pretty rad track title)
09 The Go Find – The Party (very sweet summerish music for girls with flower dresses and boys that try to sneak to see their panties)
10 Grizzly Bear – Ready, Able
11 Bobby Karate (aka B. Pronsato) – Jay’s Object
12 Roxy Music – My Only Love (if only Bryan Ferry could be the father of my children…)
13 Slowdive – Erik’s Song
14 Marine Girls – Love to Know
15 The Black Keys – The Flame (I’m a big fan of blues and good whiskey! have spent days with this track on repeat… great example of modern blues)
16 Quincy Jones – Soul Gaga
17 Prince – The Beautiful Ones (
super sexy genius musician.. great for dry humping)
18 Yo La Tengo – The Love Life of An Octopus
19 Television – Marquee Moon
20 My Bloody Valentine – Touched (loveless is probably one of the best albums ever)
21 Mogwai – Punk Rock
22 The Rolling Stones – Miss You
23 James Hunter – No Smoke Without Fire
24 Fleetwood Mac – Keep On Going (Vitelli Remix) (always thought of this as a nice track for an ending)

janet davis aka k.atou – colectivo futurecast 008 (mixtape session #2) by colectivofuturo

d.soul = colectivo futurecast 007!

and we are back to our regular programming with this short but nonetheless sweet mix from frankfurt resident Daniel Tischer aka d.soul. having founded one of the most prolific electronic-minded netlabels to date: tropic, daniel is now busy curating homemade records, which is distributed digitally and features a very modern take on the classic deep house sound. this 45-minute mix will take you on a definite journey thru the solar system and back!

listen to & subscribe to the futurecast at colectivo futurecast

5 minutes with…

D.SOUL (Tropic/Homemade, Frankfurt)

tropic | homemade | residentadvisor

* how and where was this mix recorded?

The mix was done at home using Traktor while having a glass of fine spanish Rioja wine.

* having traveled recently to chile, what would you say are the most notable differences and similarities between the electronic music culture there and in germany?

I can only tell you about my personal view that comes from an impression of a 3 week trip. I think people in Chile are more open minded and curious when it comes to electronic music because they are not overloaded with it like people have been in Germany. It’s a small but very active scene and much more community-like. Also, the netaudio movement, with Labels like Pueblo Nuevo, Epasonidos and Impar, has done a great job for the whole culture there.  Netaudio and digital music is very important there because there are no record shops and it’s difficult and expensive to buy records from overseas.

In germany we have one of the biggest market for electronic music where the whole thing is more commercial and business orientated. Many labels, artists, releases and promoters stay under pressure to be successful because of money. This is not very conducive for new concepts and ideas. Regardless, I really like what the people in Berlin have arranged with the netaudio festival; it’s a step in the right direction with a strong cultural adjustment.

* how different would you say it is to run a net-label (tropic) as opposed to a digital label (homemade)?

As I decided to make a digital label, the whole business thing was new to me, so I learned a lot of new stuff – how to  promote music and work in a more professional way as i did before with Tropic, because you need to act under pressure when investing money in something. I was very sceptic about a digital label – there are so many out there! but I think that quality will always survive in the jungle of digital labels

With Tropic things are more relaxed and more open to different kinds of electronic music. It has been my baby for all the music I like to put out without needing to adjust to anyone else’s taste. It’s also a good chance for artists to reach a lot of people from all over the world. There are Tropic releases with 20.000 downloads – you’d never reach this huge amount of downloads with a physical or a digital (non-free) release.

* what do you normally listen to at home? which are your top three favorite albums ever?

I listen to a wide range of music at home. I love all the old stuff from the Red Hot Chili Peppers, older East Coast Hip Hop, some Punk and early nineties Rock, and some german music from artists like Gentleman, Clueso and Bosse.

wow… top three albums – hard decision as there are some many goodies out there. So I’ll pick the most influential ones for me:

Nirvana – Nevermind
E-Dancer – Heavenly
Maurizio – M-Series

* what is your favorite thing about frankfurt?

Beside the skyline and the good sausages?! I like its multicultural mixture, the different faces of the city – fast and busy as it’s the financial center of europe and on the other hand the laid back areas like Bornheim and Sachsenhausen with lots of bars, little stores and markets. It has a good club scene with one of the best clubs in the world – Robert Johnson (it’s in Offenbach – but real close to Frankfurt) where I’ve had the chance to listen to a lot of good music there.

* what can we expect from d.soul and the labels you curate in 2010?

I’m working hard on my own release for Homemade, which will be released under my Elate moniker in summer if everything goes fine, as well as a new EP for Tropic with more quiet, melodic & experimental stuff. I also started a project with my chilean friend Hans Carstens and we are excited about the upcoming results. There will be a release on Homemade from Kitkaliittoo out of finland with a remix from Juno 6 coming up in May. On Tropic we will drop a compliation with guys from Chile and a new release of Markus Masuhr is still in the line. busy times, man!

d.soul – colectivo futurecast 007 by colectivofuturo

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