Tag: house

f-on = colectivo futurecast 017!

back to the fray with a wonderful “slow_mo” extended set by alfonso pomeda aka F-On. while he might not be one of your household DJs, we can certainly vouch for alfonso as one of the most passionate music lovers you could ever meet. he’s also one of the torch-carriers of a very thin madrid underground dance music scene, alongside his two label mates. together they curate one of the few vinyl-only record labels around: Downbeat. focusing on releasing unpretentious, quality music that speaks for itself, the label has slowly built a cult following, with past releases reaching ridiculous prices on the second-hand market. we truly recommend you check out f-on’s mix, a perfect soundtrack for those hazy days when you don’t feel like getting out of bed!

5 minutes with…

F-ON (Downbeat – Madrid)

downbeat | soundcloud | discogs

* how and where was this mix recorded?

It was recorded at home with 2 turntables and a pimped up Vestax PCM 250 mixer (it has rotary faders)

* tell us a bit about Downbeat. how did you get started? what is the philosophy behind the label?

It all started when three vinyl-loving friends with similar tastes (Urtzi, Jose Rico, and myself) began playing with the idea to start throwing parties in Spain and be able to bring all those artists that we truly admire. After that the whole thing started to grow and the label was born. The original idea came from Jose; it was his dream to have his own label and it quickly became our dream as well.

The concept was clear, 180 gram vinyl, limited number of pressings, and hand stamped labels; in order to create a unique piece of vinyl with each copy, and above all, dance music with soul. We also knew from the beginning that the very first release would have to be from the owner (Specter) of our most revered label: Tetrode.

* how difficult is it to run a vinyl-only, detroit house label in a city where there seems to be very little support for that kind of music?

While it might be true that the label carries a Detroit influence, we are also heavily into Chicago and other styles such as Dub or European electronic music. We wanted it to carry a global influence overall, and with that I mean we didn’t want the label to be geared strictly for a Madrid crowd because our objective is to reach people all over the world who are interested in the same sounds. It’s actually more complicated to play gigs constantly, because in this city there’s no appreciation for dance music played at 110-115 BPM. Unfortunately, as well, we don’t have much of a following here, so logically, we are not feasible for some of the clubs.

* what do you normally listen to at home? which are your top three favorite albums ever?

Lots of jazz, soul, some house -particularly newer releases-, ambient, experimental music…

3 favorite albums? impossible! here’s a few that have been influential for different reasons:

Miles Davis- The Cellar Door Sessions
Seefeel – Succour
Silvania – Paisaje III
The For Carnation – The For Carnation
Harold Budd & Brian Eno  – The Pearl
The KLF -Chill out
Lassigue Bendthaus – Render
Herbie Hancock – Maiden Voyage
Sun Ra & His Myth Science Arkestra – Cosmic Tones For Mental Therapy

* what is your favorite thing about living in Madrid?

My girlfriend, my friends, and tapas & “cañas” (typical spanish beer)

* what can we expect from Downbeat and yourself in the future?

We currently have several releases lined up. We’ve just released a record by Darand Land, which we are sure will spark a good deal of feedback; there’s also one from our very own Jose Rico, which fills us with pride because he’s a great talent, he’s been hard at it in the studio and deserves his own vinyl already! Finally, there will be a Chris Gray record, a true influence for us, and he’s given us an amazing record to release.

On top of that, we are kicking off a sublabel: Downbeat Black Label. 4×4 electronica, with lower BPMs than the main label (100-105 BPM??). It will be a split record with a cut by Juju & Jordash, and another one by Jose Rico & myself. It’s really an honor to be on the same record with J&J, as they are some of the greatest dudes around.

Regarding my own future…. well it will be strictly tied to that of our labels, and I truly hope it will last for a long time!

f-on – colectivo futurecast 017 by colectivofuturo

smallville records = a cover story!

smallville records is a label & record shop based in hamburg, germany. their current catalogue extends to 21 EPs and 3 albums, all centered around deep, detroit-nodding house and techno. their artist of choice for all artwork related endeavors is stefan marx, a multitalented, graphic artist hailing from germany.

stefan’s signature style might be hard to pinpoint, as he varies between colorful, painting-like drawings and minimal, black and white sketches. nevertheless, by choosing to stick to a single graphic artist with a distinct personality, the label is able to carry a unified aesthetic across the board, whether it’s in their record art, posters, clothing, etc.

for more info on the label and its releases check out their website. also, visit stefan’s art studio: the lousy living company, for some insight on his latest projects. finally, we recommend you check out this smallville playlist on spotify containing their entire back catalogue.

paulo reachi = colectivo futurecast 012!

the colectivo futurecast is finally back, after a long but necessary break from action, with a rawer-than-raw mix by our good friend Paulo, co-owner of the awesome Airdrop Records. currently residing in berlin, after previous spells in buenos aires and boston, Paulo provides us with a selection of current favorites that range from dub-infused tunes to raw, jacking cuts. we hope you enjoy the futurecast’s return!

listen to & subscribe to the futurecast at colectivo futurecast

5 minutes with…

PAULO (Airdrop /Aux-Rec , Berlin)

airdrop | resident advisor | twitter @airdrop

* how and where was this mix recorded?

This was recorded at my house with a small selection of vinyls, on two 1210′s and a DJM-300 Mixer, which I really like for its compact size. If I could save a bit of money, I would get on the waiting list for an E&S DJR-400, the smallest of the Electronique & Spectacle series, designed by DJ Deep! The selection here is short, pretty simple and raw. I have been playing these tracks over and over and just can’t get enough of them!

* how and when did you get into music and DJing? tell us a bit about your background.

My dad was making mixtapes of blues, jazz, funk and rock on the weekends, he had an amazing vinyl collection! He passed away when I was 10, but I keep the image of him selecting songs that go well together and not leaving blanks between them as one of my first memories. Turning 12, my brother came back from the States with a nice stack of records ranging from Plastic City to Tribal America to early Deep Dish Records. Sometimes, when too tribal, the sounds and voices seemed scary, but I kept listening to them as I felt attracted! It took me quite a few years to get the basics of mixing down, cause I didn’t have a set of turntables and knew no one in my small hometown who did… I was first let into clubs when I was 14, as I requested to watch the DJs for a short time during the openings and they would let me do that!

* how did Airdrop come to existence and what is the concept behind the label?

Henry and I started Airdrop when he moved to NYC and I was living in Buenos Aires. We wanted to offer a proper platform for the Argentine producers we admired to flourish in spontaneous conditions. See, there isn’t a single running pressing plant left in Latin America. We wanted to establish a stable communication and natural trust, which can be a tough task when dealing with great transatlantic distances. Argentina is a country we greatly admire for its strength of character, tenacity and the beauty it has to offer!

Beyond the record label, Airdrop also grew into a 360˚ talent development agency. We initially started working with our Boston buddies Soul Clap, who now made the grade nicely. We are currently developing projects with some extremely talented producers and very dear friends – Andres Zacco, Franco Cinelli and Leonel Castillo who all make the most incredible electronic wonders in Argentina. We are slowly opening our doors to European friends but want to keep our efforts as focused as possible. By the way, max respect always goes to Dietrich Schoenemann of Complete NYC, who handles production and distribution for us, he is the master man who is making the mission possible!

* what do you normally listen to at home? which are your top three favorite albums ever?

I listen to everything! Actually I just came back ten minutes ago from hearing a young Hungarian string quartet performing Haydn, Beethoven & Bartok. At home I listen to Rock of all eras, Ambient, Jazz, Soul and so on… so picking albums is a difficult task! How about I pick a random letter? Let’s say ‘R’, for example. And I can choose three albums within the R list! Here they are :

Rodriguez – Cold Fact / Coming From Reality

Rod Modell – Incense & Blacklight

Roxy Music – Avalon

Over the last year, my ears have also been conquered by The Antlers’ album called Hospice, perfect for the autumn and the Blundetto album, Bad Bad Things, which features two songs with Hindi Zahra, which are to cry for! Check it out! I also cannot wait to see what this young guy, accurately named Young Man, will be producing in the future. He sings on stage with his acoustic guitar, pedals and Ableton live, creating some really hypnotic and relaxing music.

* what is your favorite thing about living in Berlin?

I moved here at the beginning of the year for a job at !K7 Records and after a few months I actually stopped going out super late! First because I have too much work between my jobs and activities. But second and most importantly, because I want and love to make the most out of this city! It holds so much peace, offers so much space, tranquility and goodnesses, it would be a shame not to wake up early to enjoy all of it!

* what can we expect from yourself and Airdrop in the future?

Airdrop has some amazing projects coming up! There is AD 017, Leonel Castillo’s new 12″, out this week. It coincides with Leonel’s Mutek Mexico appearance along Franco Cinelli and is followed by a US tour. We are also preparing some very special releases to come out next year on Aux-Rec. Then, Andres Zacco’s new record came out on his label Greener a few weeks ago, it is some of the most distinguished techno I have ever heard. We also started producing a new label called Savor, run by Jorge Savoretti – the first vinyl includes Papol and Ekkohaus, it will be coming out in a few weeks. A new digital release on Airdrop, gathering some of UK’s finest upcoming talents : the Leeds duo Death On The Balcony and London’s well known Jozif. And finally, I am really excited about the new monthly residency we are starting in Paris with the Sundae gang. It is called Long Johns and the opening is on the 24th of October with Ark, Le Loup and Bruno Pronsato… Watch out!

paulo – colectivo futurecast 012 by colectivofuturo

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