Tag: mixtape

pursuit grooves = colectivo futurecast 027!

we give you pursuit grooves ladies and gentleman! this month’s episode of the colectivo futurecast gets up close and personal with Brooklyn resident, Vanese Smith. her mixtape-styled recording for us is a mixture of past influences & current favorites; including cuts by legends such as Patrice Rushen and Mtume, alongside newer sounds from the likes of Quadron and Electric Wire Hustle. all in all a fantastic mixture of soulful sounds to spend a sunny spring afternoon wandering around the city. read our interview with Vanese and listen to her 60-minute mix below…

listen to & subscribe to the futurecast at colectivo futurecast

5 minutes with…

PURSUIT GROOVES (Tectonic / Brooklyn, NYC)

nodding grand | facebook | soundcloud

* how and where was this mix recorded?

I was at home and I grabbed about 100 CDs, threw them on the floor upside down and picked some at random!!!! ha. Okay, not really.  There was a bit more strategy involved.

* you started producing at the tender age of 14, how would you say your style has evolved over the years? do you apply a different approach to your music now?

My background and influences are still the same ya know but as I got older every few years I would become a bit obsessed or focused on a particular sound/genre so my tracks would reflect that. So for that reason I don’t think I’ll ever repeat a certain production sound because my ears keep changing.  And I’m an artist who needs to be inspired to create, so I like to try different things. I like a variety of rhythms and I don’t think I should be limited to just one thing.

* how did being a part of the Red Bull Music academy back in 2008 influence your career and yourself as an artist?

I met a lot of other really cool and talented artists. Some of which I still keep in touch with. As an artist it just encouraged me to keep creating.

* what do you normally listen to at home? which are your top three favorite albums?

At home i’m either working on my own stuff or sometimes there are a few sites that I check to see what’s new. Favorite albums – So many that I like within the last ten years. The list is just too long to name just three.

* in an interview for FACT magazine you mention being a very social and political person, and how that permeates through your music. what is your overall view of the current pressing issues around the world? do you see your music evolving over time according to the different socio-political climates?

I try to be optimistic, but honestly unfortunately there are some sad things happening in terms of humanity. I wish things weren’t so money and power focused as that seems to be the downfall of everything. I tried to touch on a few things on “Frantically Hopeful”… but sometimes people just want to thin about happy things and just dance! So I make those too.

* which projects are you currently working on? what does 2012 hold for Pursuit Grooves the producer and the DJ?

New alias called 91 Fellows coming out on Deepblak Recordings late spring…. and we’ll see what else happens release wise. Otherwise I’m in a really good place now in terms of being productive so that could turn into so much in the future.

colectivo digs cities aviv!

For the next Colectivo Digs feature, we would like to call your attention to Memphis’ Gavin Mays aka Cities Aviv.  Shout outs to Memphis for this fantastic submission into the eclectic hip-hop landscape. The Memphis rapper draws inspiration from a wide variety of music, ranging from soul to minimal wave.  90’s hip-hop is no stranger in his creative mood board. Although surrounded by three six [mafia] albums, Memphis rap, and other underground rap influences, Mays, spent his time listening to metal, alternative rock and punk, and even became part of a hardcore band–Copwatch.  After Copwatch disbanded, Mays, decided to give writing rhymes his full attention. As per his profile on tumblr and facebook, his mission statement is to make pop music for the unpopular.

The 22-year-old idiosyncratic Memphis rapper’s main body of work can be heard in the debut CD, Digital lows. In digital lows, cities hits us with an uncommon flow, precise wit, and amusement-laced ferocity from an outsider/insider perspective onto hazy tracks and the occasional jaggy boom-bap beat. Cities aviv brings some serious personality and originality, evident in his references to 90’s cult bands, 90’s hip-hop, rhythms and witty rhymes.  Digital lows won’t be anything you can pigeonhole either; it is intended to be all over the place, just like the scatterbrained rapper.

So now that you know what’s up, keep track of Cities Aviv via his twitter: @citiesaviv and be on the lookout for his next batch of old school inspired, twisted, and future searching beats & rhymes.

 

adapt = colectivo futurecast 022!

moving on with the next episode of the colectivo futurecast we have a very cool mixtape by madrid-based, IDM producer christian del moral aka adapt. with a couple of releases on spanish netlabels, such as miga and ltw, christian has been carefully developing his sound to become one of spain’s promising artists. a creative soul from a tender age, he also makes rad illustrations to go along with his sound-design skills. in this IDM-centric mixtape, christian showcases some of his current and past favorites, alongside his own productions. it’s a perfect listen to cool down after a warm day. read our interview with adapt and listen to his colectivo futurecast below…

listen to & subscribe to the futurecast at colectivo futurecast

5 minutes with…

ADAPT (Miga, Madrid via Ceuta)

website | bandcamp | twitter: @imadapt

* where and how was this mix recorded?

I spent a couple of days trying to figure out how to approach the podcast you’d requested, until suddenly it got clouded and started raining one afternoon. this got me inspired and I started recording the set without thinking about genres or adjusting to a particular sound. the pieces started falling together along with the rain and some other things that were influencing me in those days.

* how did your first steps in music production come about? how have your productions evolved from the beginning up to present day?

Ever since I can remember, from the moment I heard the first chords as a child, I wanted to make my own songs. Unfortunately, it has taken me quite a few years of listening and listening to all sorts of music, to finally arrive, self-sufficiently, to what I consider is the doorstep of music creation.
Regarding my evolution, I would probably highlight the mixdown techniques. I think it’s an area where all producers slowly keep getting better. Quite possibly, this evolution, is what makes my harmonies and ambiences become looser and more present than before.

* are you involved in any other creative projects aside from music production? we’ve notice you also have some illustrations on your site, is that something you would like to focus on in the future?

I try to focus on sound design as my profession. Mi illustrations are synonym with not being inspired musically at the time; I tend to easily move the sequencer aside if something is bothering me or if my creativity is frozen. that’s when I try to use my time to illustrate, since it’s an activity that I always enjoyed. In terms of focusing it as a professional endeavor, I’ll leave that in the hands of anyone who would like to propose an interesting project.

* what do you normally listen to at home? which are your three favorite albums?

At the moment I can’t stop listening to “House of Balloons” by The Weeknd, an artist that quite simply fascinates me. Other things I’m hooked on this month are Phoenecia, Downliners Sekt, Frank Ocean, Ametsub, Crisopa, and a greatest hits album from Camarón de la Isla.
I probably couldn’t say which are my three favorite albums, but without thinking too much about it, these are the ones that come to mind:
- Ryuichi Sakamoto – Merry Christmas Mr. Lawrence
- Arovane & Phonem – aer (valid)
- Boards Of Canada – boc maxima

* what do you enjoy the most about living in Madrid?

The countless creative hours spent at threefishestudiolab, despite the fact that this infernal summer might try to stop me.

*what does the future have in store for your productions and other projects?

Currently, I’m focusing on finishing the tracks that will become part of my new record on a label from Barcelona. As far as other projects go, I’d like to mention the one I’m about to finish with one of the best electronic music artist’s this country has to offer, Rec_Overflow. It will be something cold, melodic, and in my opinion fresh and very current sounding. We’ll also start preparing a live set with lots of fog, lettuce and fireworks!